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Even the safety curtain has a morbid air in Dominic Hill’s post-apocalyptic staging of Beckett’s classic Productions of Samuel Beckett’s modernist classic often evoke the world of music hall. The ...

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Performances in N.Y.C. Advertisement Supported by The latest starry revival of Samuel Beckett’s play is on Broadway, and one thing is certain: Whatever you call its elusive character, he doesn’t come.

As this new revival takes center stage, it offers an ideal moment to trace the play’s journey: from Beckett’s postwar France to its polarizing first performances in Paris and London, to its absorption ...