This is an Adès at ease with himself, at ease with his material, at ease with his means, and prepared to delight as well as dazzle. The opening “Inferno” section is a series of discrete dances, ...
Enter Your Email to Unlock This Article Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Grammy-nominated harpist Yolanda ...
Described as “a sparkling presence” by Seen and Heard International (2022), Esther Beyer is an award-winning harpist and educator based in London. Competition successes include first place in the ...
I have been eagerly awaiting this disc of Thomas Adès’s Dante since seeing the Covent Garden production in late 2021, which grabbed me, no natural balletomane, with a firm grip. I realised at the time ...
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